After coffee on Main Street at Oregano's I am off to the school horse show.
Randolph Academy is a non-secure detention facility and it provides some of the most innovative and customer focused educational programmes I have seen anywhere in the world. From animal husbandry to hairdressing to catering skills the education offered is practically focused. The basic premise is that the education provided will allow the student participants to play an active role in the outside world when they leave school.
Many of the students here are the victims of abuse, some have found themselves on the wrong side of the law...but all are children, all are people and all deserve to be given a fair and equal chance to engage with society. I have nothing but admiration for the special educators who work here and for a curriculum that thinks out of the box.
It strikes me today just how difficult it must be for the staff here. On a day like today when some families have made the attempt to come and see their children and when the school is effectively open to the outside world; it must be almost impossible to monitor legal judgments that do not allow student and family members to be on their own unsupervised or that prevent student engagement with other peers.
I am more than impressed with the way the staff here monitor and care for the students.
After the show, where so many students I have known over the years are just so pleased to demonstrate their skills and show me their prizes, we head off to have sun tea with Gayle on her porch.
On March 14th 1878 Buffalo Bill Cody brought his "new and exciting border drama" to the stage of Jamestown's Allen Opera House. The site of the opera house is today the Reg Lenna Civic Center (a late 1800's theatre built on the site where the old opera burnt to the ground on January 21st 1881)...
Tonight nearly five years to the day since its original discovery the complete billboard that advertised that 1878 performance will go again on public view. After 129 years a piece of American cultural history again comes to life.
What makes this billboard so important is not just the fact that Buffalo Bill was one of the first people ever to use billboard advertising; but the fact that this work of art was actually used to promote the show. It was displayed for public knowledge and it was never intended to survive. It was never a collector's piece but rather it served its purpose and has only survived because it lay hidden behind a wall for some 124 years.
Mike, Alice and I are lucky enough to be witnessing history as the six panel billboard, believed to be the oldest in the United States (home of billboard advertising), is unveiled.
Laura Schell, the paper conservator, is a true artist. Salvaging and re-assembling the hundreds of pieces of paper that comprised the billboard, her work of conservation and restoration has brought to life a lost period of history. In the 1870's new posters tended to be pasted over older advertisements and so few originals survived. The Jamestown billboard was pasted to the wall of a building that sits on the corner of Third and Pine streets and its discovery was a matter of chance following the collapse of a brick wall in June of 2002.
This 26ft by 10ft billboard advertised a "border drama"; such shows were carried out by Buffalo Bill's theatre troupe a full decade before he began his Wild West shows. The particular show performed in Jamestown was based on the 1857 Mountain Meadow Massacre and it was staged here only a year after the execution of John Lee for his part in that massacre.
The world-premiere reading of the new play 'Behind The Buckskin Curtain: Buffalo Bill's Border World' tonight was sadly a disappointment. Whilst I could see where the playwright was trying to go with his work (in drawing parallels between the time of Buffalo Bill and the modern day) there were just too many loose threads. Further, in a good play the political messages are subliminal and not overt. From Shakespeare to Miller the writing was timeless though set in a specific time. What I mean by this is that the writings could be interpreted to any period because they covered universal themes...this play was far too trapped in Bush-era quips.